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  • Bryan 8:25 am on November 21, 2009 Permalink | Reply  

    “Tom Waits is a member of that exclusive club of musical celebrities whose names are also sentences. Other examples include music journalist Lester Bangs, and rapper Sean Combs. Rumor has it that a young Tom Waits was so inspired by his name that he briefly trained to join the US Olympic Waiting Team, until his ambitions were put to rest by a sprained sitz bone. To this day, scholars argue about what he might be waiting for. The veteran singer-songwriter has been notably silent on the issue, though the critical consensus is that he is probably waiting for Godot.”

    -Christopher Remmel

     
  • Bryan 11:55 am on October 18, 2009 Permalink | Reply  

    reason #1 why I want to get my hands on a viola da gamba 

    La Folia

     
  • Bryan 12:50 pm on October 17, 2009 Permalink | Reply  

    Education 

    Very interesting article on the focus of our modern educational system.

    Excerpt:

    How does one “do” the humanities value-free? How does one teach history, say, without grappling with what that long parade of genius and folly suggests to us? How does one teach literature other than as an invitation, a challenge, a gauntlet—a force fully capable of altering not only what we believe but how we see? The answer is, of course, that one doesn’t. One teaches some toothless, formalized version of these things, careful not to upset anyone, despite the fact that upsetting people is arguably the very purpose of the arts and perhaps of the humanities in general.

     
  • Bryan 10:45 pm on September 3, 2009 Permalink | Reply  

    practicing issues 

    I’ve decided that I need to publicly log my practicing hours, in order to really force me to get down to business, so to speak.  In the past month since I’ve been home, I have barely gone more than two days in a row without practicing, except for the first week that I was back and played the violin/cello concert with my sister on August 9. So, without further ado, here is my first log:

    Thursday, September 3

    Practiced for one hour from 4:30-5:30pm

    Worked on trills, Piatti Caprice #3, and Haydn D Major concerto (3rd mvt.)

    More time to be put in tomorrow.

     
  • Bryan 3:58 pm on July 1, 2009 Permalink | Reply  

    string quartet 

    my roommate had his senior composition recital on may 15. he wrote a string quartet. i played in it. it’s a cool piece, so you should check it out here. It’s in m4a and mp3. take your pick.

    I’m starting a string quartet, and it is not nearly as easy as my roommate made it seem.

     
  • Bryan 7:04 pm on March 13, 2009 Permalink | Reply  

    …and it’s been another month 

    so sorry that I haven’t written here in such a long time. I keep forgetting/putting it off. however, now I have much more free time as I have managed to cut the middle finger of my left hand rather effectively so that I cannot practice for the next week or so. I’m kind of going crazy from the lack of creative output but am also trying to be productive in the meantime. I have several composition projects due next week that I’m attempting to finish – one is a setting of a walt whitman poem for baritone, flute, cello, and piano. I haven’t started it yet. I did, however, just upload some old firebreathing pics to my picasa album. check it out here.

     
  • Bryan 12:35 pm on February 4, 2009 Permalink | Reply  

    written in class 

    I’m currently sitting in my music aesthetics class having a whispered discussion with the only other performance major in the class on how much more we know than everyone else. also, there’s this one guy who’s an ethnomusicology grad student who will not stop talking, nor does he understand the concept of Gesamtkunstwerk. Listening to a recording of part of the finale for Beethoven 9, before we watch the last scene of Tristan und Isolde.

    paul is suggesting that I write about how I don’t know how to ballroom dance, and how I should correct this. I told him that I know how to swing. However, after a bit more thought, I’ve decided that knowing how to tango is also a useful skill. I’ll work on that one.

    I think my professor is now talking about the difference between symphony and opera. Really? I’m getting 5 units of upper-division non-major units for this class. Awesome, yet also a huge waste of my time.

     
  • Bryan 11:17 am on February 2, 2009 Permalink | Reply  

    oops 

    Definitely been a while since I wrote in this – today’s the start of week 5 here and things are a bit frenzied. Went to the LA a cappella festival this past Saturday, which was a pretty cool experience. A number of master classes/seminars on various aspects of a cappella singing given by Mr. Tim, Deke Sharon, and Jake Moulton. Learned some useful stuff about group management as well as a plethora of new sounds to make. A lot of the techniques demonstrated and taught are really mic-driven, so I’m not sure how much the group I’m in can use them in concerts where we don’t have a sound system, but we still got a lot of good ideas to give our sound some new dimensions.

    After going to a morning of classes, I had a 6.5 hour sitzprobe rehearsal for Marriage of Figaro in the orchestra pit, which was hellish. Two full run-throughs of a 3 hour opera. The strings play all the time, so by the end of the second act on the second run-through we were dying. I think the hardest aspect was maintaining mental focus more than just physical stamina.

    Finally, after the rehearsal from hell, I went back to one of the big auditoriums on campus for a concert that was given by The House Jacks, a professional a cappella group from San Francisco. Unlike any other concert I’ve been to and really, really good. I highly recommend checking out a concert of theirs, although I don’t know if I’d want to just listen to a recording of them. Part of the fun is watching them live.

     
  • Bryan 1:18 am on January 14, 2009 Permalink | Reply
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    Week 1 in review… 

    I think it’d be a good idea if I wrote an entry at least once a week, just to keep myself updated with thinking about what’s been happening and what I’ve been up to.

    This quarter is gonna do its best to kill me, as usual, but I think I’ve found a way to outsmart it by taking on less stuff. 2 out of the 3 classes I’m taking are interesting, those being Music History 126B and Orchestration II. My music history professor is this awesomely animated man who seriously knows what he’s talking about and isn’t full of BS. He’s the kind of lecturer from whom hilarious and informative quotes constantly flow. For instance, here are a few of the gems that he has given our class so far:

    On the historical context of music: “We don’t just find feral symphonies wandering around in Griffith Park.”

    On Satie’s Gymnopédie No.1: “It’s in stasis, like this sort of Franco-Greek Tai-Chi.”

    On the purity of music as described by Schopenhauer and Nietzsche: “What he’s basically saying here is that if you can completely experience pure music, you won’t be able to handle it and will orgasm yourself to death. Not a bad way to go…”

    His three-sentence summary of Tristan and Isolde: “I hate you. I love you. I’m dying.”

    More to come as it is given to our class.

    Orchestration is informative and useful, nothing new here. However, I’m taking an ethnomusicology class called “The Aesthetics of Music,” which is basically the easiest thing I’ve had in quite some time. The professor spent the first two lectures explaining to non-music majors what tonality was. There’s only a midterm and a final, no attendance grade, and both tests are multiple choice. Should be a breeze.

    Music stuff is gonna be busy. I’m playing in the opera, which is Mozart’s Marriage of Figaro this year. It’s 4 hours of Mozart cello parts – I’m not terribly thrilled. I’ve been practicing a lot more and my lessons have gone well so far, which is a very good thing. I’m trying to play cello as much as I can this quarter – well, for the rest of my life, when I get right down to it.

     
  • Bryan 9:32 pm on January 2, 2009 Permalink | Reply
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    digital self 

    It seems that I’m on the road to creating a new digital identity for myself, or at least consolidating what’s out there so I have a more coherent presence out there. I’ve realized that if I want to be noticed and get myself out there as far as people knowing me as a musician, composer, and cellist, the web is probably one of the best tools available to me. I recently got on Twitter and am actually finding it useful/entertaining – It’s nice to have brief updates from people I know on there (all 3 of them). If anyone knows of a good way of  importing my recent tweets into a sidebar on my blog here, please tell me. I spent a good 45 min fiddling around with different things in wordpress and couldn’t get anywhere.

    I think the next logical step for me is to get my own domain. I looked in to bwest.com, which was for sale by some Korean group, but after I emailed them they told me that the price on it was $4,600. Forget that. sbwest.us is available, but I’d like something that is easily recognizable so that in the future people can have something easy to remember. Whatever the domain turns out to be, I plan on hosting recordings and other multimedia for listening/viewing pleasure. As I’m also composing, I think it would be awesome if there was some way that I could expose people to my pieces and eventually put them out there for purchase.

    Less importantly, I’d like to revamp the visual appearance of this blog to something a bit more streamlined. I was having trouble eliminating the “Front Page” link above the header image – if anyone knows how to do that it would be greatly appreciated. Eventually it’ll have to get moved over to my new domain, whenever that happens.

    A friend of mine at UCLA is a pretty damn good amateur photographer who is offering to do headshots of me for free. He wants to add to his portfolio and I need some shots to start putting out there when there are competitions, summer festivals, concerts, and other gigs. You can see more of his work in all of the photos on the Medleys website, an a cappella group in which I am the musical director.

    That’s all for now – more to come as I think of it.

     
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